PRAISED FOR THE "NATURAL" AND “SEEMINGLY EFFORTLESS BEAUTY" OF HIS VOICE.
Liam James Karai is a Bass-baritone of Scottish, Irish and Indian descent who is currently a member of the International Opera Studio at Staatsoper Hamburg. He was previously a young artist at Salzburg Festival and before that completed a Postgraduate Diploma on a full scholarship as well as a Master of Music degree in Performance at the Royal Northern College of Music (Manchester, England) under the tutelage of Quentin Hayes. During his time at the RNCM, Liam was awarded the Sir John Tomlinson Scholarship and the Andrew Lloyd Webber Scholarship, and was the winner of the 2021 Frederic Cox Award and the RNCM Silver Medal. He also represented the RNCM for the Joaninha Trust Award competition and for the Clonter Opera Prize, winning the first and placing runner up in the latter. Whilst at the RNCM, Liam performed a variety of operatic roles, including Figaro in Mozart’s Le nozze di Figaro, Minskman in Jonathan Dove’s Flight, Badger/Priest in Janacek’s Cunning Little Vixen and Ein Lakai and Der Haushofmeister in the Prologue to Richard Strauss’ Ariadne Auf Naxos. Outside of the RNCM, Liam covered the principal role of Parsi Rustomji in Satyagraha at English National Opera, performed as Leporello (Don Giovanni) with Allo Opera, and took on the role of Martino in British Youth Opera’s L’occasione fa il ladro at Opera Holland Park. Liam made his international debut in July whilst on the Young Artist Programme at the Salzburg Festspiele singing Guccio in Gianni Schicchi within Il Trittico. He also performed in some concerts in Salzburg with the Mozarteum Orchestra singing extracts from Le nozze di Figaro as Figaro, Cosi Fan Tutte as Don Alfonso and Cenerentola as Alidoro. Other upcoming roles include Verwalter/Wächter in Shostakovich’s Lady Macbeth von Mzensk and Sciarrone in Puccini’s Tosca, both of which will be on the main stage at Staatsoper Hamburg.
His sidekick is the energetic and darkly resonant Liam Karai - the Stage (Yehunda Shapiro)
Karai's Figaro was sincere and centred, and his bass voice was delightful
Matthew Dougall - Number 9 Reviews
Karai as Figaro and Orchard as Susana were superb, as was Malcolm’s Contessa. Their attention to the musical difficulty of Mozart’s arias was note-perfect
Robert Hamilton - Northern Soul opera Correspondent
With his burnished baritone, strong throughout its range, and striking stage presence
Anthony Ogus - Opera Now
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